Atlantis The Palm.

2011–2015: Doo Technologies’ own 360° video camera, stitched and streamed live without a GPU, proven at the Sandance concerts and extended to the whole resort in 360°.

Case study · Doo Technologies · Atlantis The Palm · 2011–2015

Live 360° video, before 360° cameras existed

Designed for vehicles, proven on a concert stage.

In 2011 Doo Technologies had developed its own 360° video camera and software for vehicle and security applications. To validate continuous cyclic recording before approaching the security market, the system was deployed at Sandance, the beach concert series of Atlantis The Palm, Dubai. The door was opened by the H2 mobile surveillance vehicle, presented to the Atlantis team as a demonstration of what the technology could do.

The proof of concept became a long-term customer relationship: a full season of live shows from autumn 2011 through 2012, new capture systems tested on site, the complete resort documented in 360° in 2013, and aerial 360° video in 2015.

The Doo Technologies 360° camera on stage at Sandance, Atlantis The Palm.
The Doo Technologies 360° camera on stage at Sandance, Atlantis The Palm.
2 × 1.3 MP

sensors in one camera

30 fps

live 360° video

0

GPUs

200+

resort locations in 360°

The hardware

A camera designed for vehicles

Two 1.3-megapixel sensors, each fitted with a Sunex fisheye lens, delivered a 2000×1000 dual-fisheye video at 30 frames per second in RGB24. USB 2.0 set the resolution limit, but also brought what vehicle integration required: 5-volt power and a compact footprint.

Prototype family: DTH-01 (TCP/IP), DTH-02 (USB 2.0), DTH-03 (TCP/IP).
Prototype family: DTH-01 (TCP/IP), DTH-02 (USB 2.0), DTH-03 (TCP/IP).
Camera housing, 3D design.
Camera housing, 3D design.
The software

Real-time processing on a CPU

A single laptop synchronised the audio input, stitched the two fisheye streams into an equirectangular 360° image, recorded locally with cyclic recording and streamed the result over RTSP, simultaneously and without a GPU. The same core software and process served the vehicle and security systems.

STEP 1
Capture
Two 1.3 MP sensors, each behind a Sunex fisheye: a 2000×1000 dual-fisheye video at 30 fps, in RGB24, over USB 2.0.
STEP 2
Sync
The audio input is synchronised with the video, frame by frame.
STEP 3
Stitch
The two fisheyes are stitched into an equirectangular 360° image in real time, on the laptop processor.
STEP 4
Record
Each show is saved locally, with cyclic recording: the feature a security system needs.
STEP 5
Stream
At the same time, the stitched 360° video goes out as an RTSP stream.

All in real time, on one laptop, without a GPU.

Sandance, 2011–2012

On stage, in the middle of the show

The compact camera could be placed where no camera operator could stand: on the DJ booth, between the decks, beside the microphone. Two of the 360° recordings remain online and can be explored directly below.

The camera on the DJ booth.
The camera on the DJ booth.
Between the decks, a few centimetres from the artist.
Between the decks, a few centimetres from the artist.
On stage, Sandance.
On stage, Sandance.
Acoustic set, camera on a stand.
Acoustic set, camera on a stand.
Live band, 360° from the stage.
Live band, 360° from the stage.
Facing the crowd.
Facing the crowd.
Chicane at Sandance 2011, in 360°.
The Script at Sandance, in 360°.
Set-up at Nasimi Beach, October 2011.
Set-up at Nasimi Beach, October 2011.
The camera on its tripod.
The camera on its tripod.
Live 360° view on a rugged laptop.
Live 360° view on a rugged laptop.
At the desk: audio in, 360° out.
At the desk: audio in, 360° out.
Field testing

A living laboratory

Atlantis became the test site for new capture systems. On New Year’s Eve 2011, a rugged 360° time-lapse camera recorded the event site from morning set-up to the midnight fireworks.

Press play, then drag to look around

New Year's Eve 2011, Atlantis The Palm: 360° time-lapse.

2013

The complete resort in 360°

More than 200 rooms and locations were captured with a Nikon D300s and Nikkor fisheye, four shots, one every 90°, and stitched with Doo Technologies’ own software at 8000×4000. The panoramas were published on the Atlantis website and remain on Google Street View, where individual views have been seen millions of times.

2015

Aerial 360°

A 360° camera rig on a drone added an aerial perspective, flown in 2015 before drone regulation took effect.

Atlantis The Palm, aerial 360°, 2015.
What the client said

From Atlantis The Palm

Stephane had camera equipment to capture 360 videos and created a world first for implementing on YouTube. He built one of the first 360 time-lapse purpose built cameras that could be deployed for long period in the harsh conditions of the UAE weather. Working with Stephane was always fun, but he was always professional as he continued to surprise and delight with his innovations and technical knowledge to create some amazing work and deliver on time.
Senior Director, Miral Destinations; then at Atlantis The Palm
He gets the job done! Easy to work with and shares his knowledge and ideas even outside the scope of business. Very approachable, reasonable in terms of pricing and always willing to offer his service even on last minute requests.
Client, Atlantis The Palm
Applied technology

From proof of concept to customer

Consumer 360° cameras now stitch and stream on their own. In 2011, Doo Technologies designed the camera, the stitching, the audio synchronisation and the live streaming itself, and validated them in a demanding live environment that turned into a long-term client.

Read the first-person account on stephanejacob.com →

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